Created during a residency at Rydal Hall in the Lake District, this body of work emerges from eco-somatic practices that explore the intimate, embodied connection between humans and the natural world. Rooted in presence, movement, and attentive listening, the project seeks to translate these sensory and emotional encounters into visual form-inviting you to reconsider your own relationality with the more-than-human.

Supported by Intercultural Roots.